喻寿奇，毕业于湖南师范大学现为湖南省文史研究馆馆员，国家一级美术师。中国雅昌艺术会员，湖南省美术家协会会员。香港中国书法家协会副主席法兰西皇家画院外籍院士俄罗斯圣彼得堡艺术研究院外籍院士:英国皇家艺术基金会外籍永久艺术顾问中国非遗国礼特供书画文化旅游部艺术人材专家库特邀入驻专家。文化旅游部国家一级艺术大师，世界教科文杰出文化人物党建百年功勋艺术家世界华人艺术领袖，全国艺术楷模。中国文联艺术传承人物，中国文化艺术国际传播大使。共和国十大功勋艺术家。中国国宾礼特供艺术家。中国东方文化研究会艺术研究员。中央电视台《艺术传承》栏目客座教授。全国艺术职称考级中心首席专家。国家艺壇代表性艺术家全国人民艺术家信用管理中心委员会主席。中国现代文化学会主席团名誉主席。世界非物质文化遗产研究院副院长。
Yu Shouqi, graduated from Hunan Normal University, is currently a curator at the Hunan Provincial Institute of Culture and History, and a national first-class artist. Member of China Artron Art and Hunan Artists Association. Vice Chairman of the Hong Kong Chinese Calligraphers Association, Foreign Academician of the Royal Academy of Painting in France, Foreign Academician of the St. Petersburg Academy of Art in Russia, and Foreign Permanent Art Advisor of the Royal Art Foundation in the UK. Chinese Intangible Cultural Heritage National Gift Special Supply Calligraphy and Painting Cultural Tourism Ministry Art Talent Expert Kurt invited experts to settle in. National first-class art master of the Ministry of Culture and Tourism, outstanding cultural figure of UNESCO, century long meritorious artist of Party building, world Chinese art leader, and national art model. Chinese Federation of Literary and Art Heritage Figures, Ambassador for International Communication of Chinese Culture and Art. Top Ten Meritorious Artists of the Republic. Chinese State Guest Gift Special Offer for Artists. Art researcher at the Chinese Oriental Culture Research Association. Guest professor of the CCTV program ‘Art Inheritance’. Chief expert of the National Art Professional Title Examination Center. Chairman of the National People’s Artists Credit Management Center Committee, a national representative artist in the art world.Honorary Chairman of the Presidium of the Chinese Society of Modern Culture. Vice President of the World Intangible Cultural Heritage Research Institute.
翰墨正能量 丹青泊诗韵
——记著名书画家喻寿奇
能作翰墨者师碑帖是大道，能作丹青者师造化是真谛。当代著名书画家喻寿奇先生，就是一位书画双修，把碑帖学养与丹青要妙统摄一体的大手笔！先生不但有精彩的书画实践成果，也有书画理论研究的高度。实践出真知，出版书画精论，可以引领艺术创作渊远流长！既是一位创作力饱满的书画家，也是一位致力于文化传播的功勋者！
他的书法碑学汉隶十碑！把东汉隶俊雅拔秀的品位复作的惟妙唯肖。整体以曹全碑、乙瑛碑、史晨碑、礼器碑这类方整严谨的汉隶碑为习成，所以写得一波三披分明，蚕头燕尾飞仪，非常正规，也非常有书写品位，以碑立骨，极见精气神！
当代隶书创作，有两个问题需要纠正，一是把隶书写得过于规整，字字同质，笔笔同体，写出来的隶书就失去了艺术的灵性，结果成了隶书的印刷体！再一个问题就是把隶书写得过于粗糙，不但失去了笔法的精湛，结构也变得相当松散，带有江湖书风，很不雅观。现在看喻寿奇先生的隶书作品，用来抄作主席语录，写得正大气象，笔作劲卓，墨写弘音，把隶书激越精神的境界表现得非常精彩。
喻先生的狂草书法也足以令人折服，大笔一挥师怀素，写得铁点银钩，高低有趣。可以在一划之内变起伏于锋梢，也可以在一点之间殊衄挫于毫芒！也写毛体书法的豪情壮志，书以抒情，草书畅志，左出右盼如惊电，状如楚汉相攻战！笔墨同时用神力铺陈，把书法的速度与力度统一在一起，可见飘风骤雨惊竦竦，落花飞雪何茫茫！草书大手笔，都是这种书法类万物之象的精湛!
他画山水，外师造化中得心源。非常重视写生的积淀，把观看真山真水的视觉经验，提炼成丰富无限的创作资源，搜尽奇峰打草稿！在此基础上，再作笔墨渲染，就可以意在笔先，遂心应手。无论作溪山行旅，还是写云上山巅，都可以通过娴熟的骨法用笔，把山水的精气神塑造得相当饱满，然后再给予随类赋彩，终是气韵生动的典范。在他的山水里游目聘怀，信可乐矣！心入画，诗入画，不但画得古风悠具，而且富有现代主义气息，民居红屋，隔水故乡，笔墨当随时代，这就是例证。
先生画花鸟作品，可以兼工带写作荷花、作紫藤，以书入画，笔力雄劲，以禅赋色，清幽雅观。画里是精湛的技法，画外是精彩的文化。一池荷苍，纤尘不染，寓意法道，一目了然。写意大鸡图，色彩饱满，神态上佳，可以夺物象之精神，也可以掠物象之体貌！丹青焕神，莫过如此。大家风彩，真实不虚！
著名书画评论家 史峰
2020年12月11日
Hanmo Positive Energy Danqing Poem Rhyme
——Remembering the Famous Calligrapher and Painter Yu Shouqi
Those who can create calligraphy and painting are the great way, while those who can create calligraphy and painting are the true essence. Mr. Yu Shouqi, a renowned contemporary calligrapher and painter, is a master of both calligraphy and painting, combining the study and cultivation of stele inscriptions with the mastery of painting and calligraphy! Mr. not only has outstanding practical achievements in calligraphy and painting, but also has a high level of theoretical research in calligraphy and painting. Practice leads to true knowledge, publishing calligraphy and painting masterpieces can lead artistic creation to a long and profound journey! Not only is he a creative calligrapher and painter, but also a contributor to cultural dissemination!
His calligraphy stele studies the Ten Steles of Hanli! The exquisite and refined taste of the Eastern Han Dynasty’s Li Jun Ba Xiu has been replicated. As a whole, the Han dynasty steles such as Cao Quan Stele, Yi Ying Stele, Shi Chen Stele, and Li Qi Stele are used as the basis for learning. Therefore, the writing is clearly divided into three parts, with a silk head and tailcoat flying instrument, which is very formal and has a good writing style. The bone is erected on the stele, and the spirit and spirit are extremely evident!
There are two problems that need to be corrected in contemporary clerical script creation. Firstly, the clerical script is written too neatly, with homogeneous characters and strokes. The resulting clerical script loses its artistic spirit and becomes a printed form of clerical script! Another problem is that the clerical script is written too roughly, which not only loses the exquisite brushwork, but also becomes quite loose in structure, with a martial arts style that is not elegant. Now let’s take a look at Mr. Yu Shouqi’s clerical script works, which are used to copy the Chairman’s quotes. They are written with great vigor, with vigorous strokes and bold strokes, expressing the spirit of the clerical script in a very exciting way.
Mr. Yu’s cursive calligraphy is also impressive. With a big stroke of his pen, he writes with iron dots and silver hooks, with interesting heights. It can rise and fall within a stroke at the tip, or it can bleed and fall in a flash at a single point! I also write bold and ambitious calligraphy in Mao style, with lyrical and cursive strokes that express my emotions. Looking left and right is like a startled electric shock, resembling the battle between Chu and Han! The brush and ink are simultaneously spread with divine power, unifying the speed and strength of calligraphy. It can be seen that the wind and rain are breathtaking, and the falling flowers and snow are boundless! The cursive script is a masterpiece of calligraphy that represents the essence of all things!
He draws mountains and waters, drawing inspiration from nature. We attach great importance to the accumulation of sketching, extracting the visual experience of watching real mountains and waters into rich and infinite creative resources, and searching for all the peaks to draft! On this basis, by rendering with ink and brush, one can have a clear understanding of the pen and respond accordingly. Whether it’s traveling through streams and mountains or writing about the peaks of clouds and mountains, one can use skilled brushwork to shape the essence and spirit of mountains and waters into a very full form, and then add colors according to the type, ultimately becoming a vivid example of charm. Wandering in his mountains and rivers, I believe in cola! Heart into painting, poetry into painting, not only painting with ancient style and elegance, but also full of modernist atmosphere. The red houses in the residential area, the hometown across the water, and the brushwork should follow the times are examples.
The teacher’s flower and bird paintings can be accompanied by writing about lotus flowers and wisteria, incorporating calligraphy into the painting. The brushwork is powerful, and Zen is used to add color, creating a serene and elegant atmosphere. In the painting, there is exquisite technique, while outside, there is wonderful culture. A pool of lotus leaves, pure and untainted, symbolizing the Dharma and Dao, clear at a glance. The freehand chicken painting is full of colors and has a great expression. It can capture the spirit and physical appearance of objects! Dan Qing Huan Shen, nothing better than this. Everyone, Fengcai, true and not false!
Famous calligraphy and painting critic Shi Feng
December 11, 2020
